VITALINA VARELA: It Always Ends This Way

The cinema of Pedro Costa may consistently revolve around a troupe of recurring characters all living in the present and…

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The cinema of Pedro Costa may consistently revolve around a troupe of recurring characters all living in the present and near the same place – in his case, Lisbon’s Fontinhas neighborhood – but much like his contemporary Lav Diaz, or Bill Douglas before them, his movies are always deeply informed by a complicated and often tragic history.

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