Steps To Find Your Rap Flow.
We’re going to go over four steps to find our rap flow on any beat in hip hop. Trap best rap beats follows a different pattern of kicks and snares. The same principles apply. Beats have a tempo and rhythm they adhere to, or it would become jazz music. Hip hop and trap follow similar time signatures. Trap will place snares all over and many times on the 3rd beat. Let’s start with our main and important topic.
#1 Count To 4- Seriously
1-2-3-4 each one of those numbers represents a beat. A beat is a piece of time. A bar is four beats repeated.
#2 Identify The Kick and Snare
The kick and snare are two different drum beats that create the basis of a hip hop instrumental. The distinguishing feature between these sounds is that the kick sound is more of a thud or boom sound, whereas the snare sound can be more subtle and even hard to notice due to its faint high-pitched quality.
For example- You stomp your feet on the ground and clap to keep a flow going. “We Will Rock You” by Queen is an awesome example. A good beatmaker can emphasize higher or lower sounds depending on their liking, but any sound can be used if they so choose.
The kick and snare are the first two drums to be heard in any song. Artists (rappers/MCs) will often talk about how they want their stanzas to sound so that they will go over the hihat, the third type of instrument. I think it’s important that you get your externals right before moving on to beat mapping and word placement because if you don’t lay down a strong drum structure for your listeners, all the words in the world won’t hold up when stacked upon each other.
Step 3: 1-2-3-4 = Kick-Snare-Kick-Snare
The 1 beat is a kick
The 2 beat is a snare
The 3 beat is a kick
The 4 beat is a snare
Kick-snare-kick-snare, Boom-bap-boom-bap
That’s the backbone of most hip hop beats today. Rap flow is different. And that’s generally what a hip-hop beat is. Identifying where the kicks and snares are in the track (the ‘backbone’) is going to be the most important thing. Count out one – two – three – four (one full bar), so the kick lands on the one and three. And the snares land on the two and four beats. If you can do this, then you are golden.
In rap songs, you can break down everything with a four-syllable word. I learned this from hip hop artist Common who says that everything you hear in rap songs can be broken down using the code WATERMELON. Like the fruit itself, the code has 4 syllables that match each beat in the song!
Step 4: Words Over Beats For Rap Flow
Stress and unstressed syllables will intertwine. Arrange words in different places over your beat to maintain a dope rap flow. Flow in rap is the flow of how your words fall onto the kicks and the snares. You want your words to land so that the emphasis or accented syllable falls on either the 1-2-3-4 beat consistently – we feel this makes a rapper’s flow dope! The ways you change this up will make up the pattern of your rap flow.
While the speed of certain beats can differ depending on the tempo of a composition, double-time or half-time, it doesn’t change that a consistent rhythm is required to help out any aspiring emcee. It needs to be counted out 1-2-3-4 almost nonstop so that the flow of the beat and the rhymes being delivered are in sync.
There are two main things to remember when structuring your rap lyrics. First, you want your rhymes to hit either one beat or the three-and-four beat of the bar.
The Type of Best Rap Beats That We Offer
Lazy Rida Beats offers many rap beats and the best rap instrumentals that cover all aspects of what you might expect from a rap-type beats category. So if you’re into trap beats but would also like a blend of something else, rap beats are where you’ll find it. Check out our rap beats and best rap instrumentals to catch the vibe and see what we offer.
Source URL: https://lazyridabeats.com/
